Some things are not said, they are held.

This body of work gives form to what is internalised, tracing silence, control, and endurance as they are carried within the body and embedded in the structures around us. Figures appear suspended within net-like forms, held in states of tension that suggest both physical and psychological entrapment. The work does not seek resolution. It holds these conditions in suspension, allowing ambiguity, pressure, and stillness to remain.

A restrained visual language, marked by emptiness, repetition, and controlled composition creates a sense of visual silence. While grounded in the experiences of women, the work extends to broader questions of power, vulnerability, and systemic constraint, considering how these forces shape the ways bodies are seen, controlled, and silenced.

This practice is at a point of transition. Recent developments introduce layering, translucency, and suspended elements that begin to move the work beyond the canvas, toward environments of containment rather than isolated figures. The next stage demands immersive space, uninterrupted time, and an environment large enough to hold the scale of the inquiry: not representations of entrapment, but the conditions of it.