These works offer a glimpse into the evolution of my practice, a collection of projects that have each pushed my thinking, challenged my process, and deepened my understanding of what art can do and say.

These bodies of work trace the development of a practice rooted in questions of identity, voice, and the female experience. From early explorations of memory and belonging, through performative and collaborative work, to the emergence of figurative painting as a primary language, each project marks a shift in thinking, material, and intent.

What connects them is a persistent concern with what is unseen and unheard: the interior states, pressures, and silences that shape how women move through the world. This thread runs from the earliest works through to the current practice, deepening rather than departing with each iteration.